Whew! Now that the student exhibition is up and juried we should take a moment to pat all of ourselves on the back for participating (whether you were juried in or out) and to the winners chosen by the juror and the for the boardroom. I think you should also take a second to think about this... to everyone that participated, you have my highest regards, win or lose, in or out. It is all about being there. Thanks folks. Successes and so-called mistakes, it requires brave souls to put yourselves out there. You all make me super proud. Can't wait to see your final portfolios!
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| Awards seen in image may or may not be real ;) |
Boardroom Awards...
Category 1 – Drawing I
C.J. Canter, “Floating Still Life” (DaVania)
Category 2 – Drawing II
Aaron Ivie, “Still Life with Fruit and Such (Smith)
Category 3 – Advanced Drawing
Angie Meyers, “Repose” (Smith)
Category 4 – Figure Drawing
Janice Flagg, “And So I Stand” (Smith)
Category 5 – Graphic Design
Vance Perkins, “The Adventures of Skunky Squirrel” (Mogerman)
Category 6 – Sculpture
Steve Hackmann, “Butterflies in the Stomach” (Ouellette-Kirby)
Category 7 – Black & White Photography I
Vincent Dyer, “White Noise” (Fisher)
Category 8 – Digital Photography I
Darin Mlady, ‘Perfect 32” (Ouellette-Kirby)
Category 9 – Advanced Black & White Photography
Elizabeth Sheck, “The One That Reminds Me of Man Ray” (Fisher)
Category 10 – Advanced Digital Photography
Kimberly Mae Wall, “Lost and Found” ”(Sanker)
Category 11 – Design I
Carl Cassidy, “Four Seasons” ”(Robinson)
Category 12 – Illustration & Design II
Janice M. Flagg, ‘Simply Black and White” (Reidel)
Category13 – Ceramics
Laura Lloyd, “Sticks and Stones” (Meeks)
Category 14 – Jewelry
Elizabeth Sheck, “Adeline’s Locket” (Ouellette-Kirby)
Category 15 – Painting I
Marlena Speraneo, “Still Life 3” (Smith)
Category 16 – Painting 2 & Advanced Painting
Terri Berg, “Self-Portrait with Microwave” (Smith)
Category 17 - Printmaking
Eric Zimmer, “Anticipation” (Russell)
ADDITIONAL AWARD WINNERS
1. Terri Berg, “You Didn’t” (Smith)__________________________category: Painting II
2. Lu Cross, Industrial Strength” (Ouellette-Kirby)________________category: Ceramics
3. Rick Spriggs, “Bright Eyes” (Ouellette-Kirby) __________________category: Jewelry
4. Jan Slade, “Apples in a Bowl” (Smith) _____________________category: Drawing II
5. Rachel Mitchell, “Once Upon a Time” (Sanker)__________category: Adv Digital Photography
6. Amy Stadler, “Maps of Symmetry” (Russell)__________________category: Design I
7. Taylor Clark-Jones, “Night Scene 1” (Smith)_________________category: Advanced Painting
Read this!! Juror's Statement & Awards...
SCC Student
Art Exhibition
April 20, 2012
Juror Awards
Ken Wood, Juror
It was a pleasure to jury this show, and I
was as impressed by the effort and talent of the students as I was by the rigor
of the program here.
Selecting which works to include is always a
difficult process, as every project has something unique and special about
it. But because there were so many
works, I had to narrow it down. Some
works were chosen because they explored some aspect of the medium that none of
the others did; some were chosen because
they went well with others in their category (either thematically or
visually). And sometimes when a number
of projects were similar (ie, they came from the same assignment), I chose two
or three to represent the whole group so as to avoid repetition.
If your work was not chosen to be in the show
or to receive an award, please don’t lose hope in that work. I encourage you to submit it to other
venues; each juror has different things
that he or she is looking for, and the more people you show your work to, the
more likely you are to find a juror (or gallery, or client) who’s looking for
exactly what you have.
A few things that stood out in this show:
There were some very inventive approaches in
the foundation courses, such as the fractured graphite drawings of Drawing I,
or the blending of genres in Design II/Illustration. These kinds of projects are especially
important at the beginning of a curriculum, because they help draw out the
possibilities of a non-conventional approach, something every artist should
nurture. There seems to be a concerted
effort in all of the 2D courses to show that context is just as important a
part of a composition as subject matter – this led to some very coherent and
resolved images. Color theory is another
strength in the program, not just in Design II but also in the painting and
digital photography courses; I
especially liked the way that Drawing II was so focused on color theory. The theme of narrative, including not just
story but also characters and set, plays
a large part in the best works from the photography courses (and also in some
ceramics, jewelry, and painting projects).
And an emphasis on adaptive reuse in Sculpture (as well as in some
jewelry projects) proved to be excellent start to some very inventive and
unique student work.
1. Drawing I
Still life drawing is the staple crop of
Drawing I courses – or so I thought before seeing the selection of drawings
here. This display makes a good argument for teaching beginning drawing with a
more diverse subject matter and more invention.
Some images distinguish themselves with strong composition, others with
a deft use of light and shade, and some with sheer creativity.
Amy Stadler gets first place with her very
inventive “Seven years of bad luck”; she
proves here that she has the patience required to transform graphite into a
complexity of different textures and shapes, all in a dynamic fractured
space. Aaron Ivie gets second place
with “Frank,” and Julie Han gets third with “Fly Fish Salon”; each of these drawings displays great control
of the medium to create texture and likeness.
2. Drawing II
The explosion of color in this category can
barely be contained on this wall, and made this class one of my favorites.
As it was so hard to pick just three, I decided to make first place a tie: Jon Slade and Aaron Ivie share first place
with “Apples in a Bowl” (Slade) and “Still Life with Fruit and Such”
(Ivie). The rendering of surfaces and
transformation of black paper to a space filled with light make these very
strong images. Marisa Pope takes second
place, giving the viewer a window into how the drawing is constructed (while
still maintaining an integrity of surface, space and light). Tim Connors’ drawing of a black vase with red
cloth, while less refined in some ways, shows a great sensitivity to color and
its use as a foil to create contrast and focus.
Even his greys and blacks are colorful.
3. Advanced Drawing
Angie Myers takes first and second place with
her two enigmatic renderings of models seen from behind: one male, done in pastel, and the other
female, painted with acrylic. In each,
the mark-making is spare, yet developed enough to transform the color paper
(and chipboard?!) into flesh, light, and space (hard to do that with chipboard!).
4. Figure Drawing
Janice Flagg takes first place here; her
delicate modeling of form creates a suppleness of texture, transforming the
charcoal into something that has life.
She is able to describe the figure almost entirely with shapes, allowing
line to act as an accent that provides movement and focus. Aaron Ivie takes second place with “Kate.”
5. Graphic Design
The web design and box kite projects show how
diverse and eclectic the application of graphic design can be. First place goes to Demi George’s box kite,
and second to Alfredo Carbojal’s. Third
goes to Vance Perkins for his web design “The Adventures of Skunky Squirrel,” as
creative in its title as it is in its execution.
6. Sculpture
Adaptive reuse is a good way to prolong an
object’s usefulness. It’s also a good
way to trigger the imagination of the person doing the adapting. Desiree Cabell and Ralph Rollins use
creativity and ingenuity in adapting their found objects into volumetric
sculptures that give their objects a second life; they tie for first place. Second place goes to Sonny Hartman for “You
Play, You Pay,” his enormous relief sculpture reminiscent of a slice of a Roman
Sarcophagus carving.
7. Black and White Photography
Vincent Dyer gets first and Dalton Smith gets
second place in this, the smallest of the categories. Both show a strong grip on composition, tone
and texture, and each photo, though black and white, seems rich with
color; they are able to stretch the
medium to make us imagine the things we can’t see.
8. Digital Photography
First place goes to Michael Randman’s
“Strange Destination.” This reveals
nothing at first glance; it is only upon
deeper inspection that the viewer begins to see forms emerging from the
wilderness. The image conceals in order
to reveal, and an ordinary scene is transformed into something ominous in the
process. Connor Lockett gets second for
the simply composed yet richly textured “As dead as the Enemy.” Third goes to Heather Bradley’s “Outside In,”
a small gem that doesn’t show its splendor until seen up close, at which point
the artist’s mastery of color and contrast is revealed.
9. Advanced Black and White Photography
Sonny Hartman gets first place for his photo
of a contemporary couple’s embrace in the midst of a scene that could be of
another time and place. Elizabeth
Sheck’s “The One that Reminds them of Man Ray,” a photograph that is strangely
reminiscent of Man Ray, comes in second for its rich metallic tones and
enigmatic image of a woman that is part machine.
Photography has always been a good medium for
revealing the beauty in the unexpected;
Alyson Wittich does this in the rich tones of her silver gelatin print
of an industrial doorway, which gets third place.
10. Advanced Digital Photography
There is a strong theme of allegory running
through these images, and they reveal that the photographer can also act as a
cinematographer. Rachel Mitchell takes
first with her six images from fairy tales.
These are very timeless, but have just enough contemporary detail to set them apart from the
original. They show an understanding of
costume, set design and lighting as much as they do of color and
composition. Kimberly Mae Wall comes in
second with “Lost and Found.” And third
place is a tie between two images that provide stage and character for a modern
myth: Philip Cary’s “Lock and Dam” and
Josuha Evans’ “Lucent.”
11.
Design I
Synthesis of pattern seems to be a theme and
a strength in this category.
It isn’t easy to integrate painting, drawing,
drafting, stenciling, collage, photography and even sewing into a seamless,
coherent design, but that is exactly what Samuel Reynolds has done with his
fold out book “Sick Cities,” which was awarded first place. Amy Stadler gets second with her “Maps of
Symmetry,” an intricately painted study of bilateral symmetry, quadrilateral
symmetry, and some other kind of symmetry I’ve never heard of before. And
Cynthia Fyfe comes in third with her “Zebra”: simple and to the point, it is still a very
satisfying blending of pattern into a balanced composition that has movement
and focus.
12.
Illustration and Design II
Superimposition and juxtaposition are themes
here, with the “Old Masters meet Modern Packaging” project and the
multi-layered still life project. Janet
Flagg’s Bezold Effect project does a
great job showing how much our perception of the same colors changes when seen
against different backgrounds (black and white outlines in this case). This is a classic design 2 project but never
gets old; this example is very
satisfying to look at. Design and
Illustration often involve problem-solving, and the next two projects do that
very well: Thao Truong’s “Camo,” in
which in which the artist has seamlessly matched the color and pattern of a
collage swath; and Jon Slade’s double
still life of fruit and skulls, which shows two versions of the same
superimposed images, each with a different palette, ambiance and emphasis.
13. Ceramics
I’ve always been amazed at the ability of
clay to transform itself into so many different things, from monumental
sculpture, to image, to relief print;
from solid to liquid; and from
ordinary vessel to cultural vessel. The
pieces I chose represent three of these very different iterations of clay. First place goes to the Laura Lloyd’s poetic
and ambitious “Sticks and Stones,” which part portrait, part symbol, and part
story. Second place goes to Sandy Chan
for a very convincing transformation of clay from solid to liquid (by way of a
couple thousand degrees of heat). Third
goes to Eric Brooman for his blending of graffiti tags with a classically
shaped and colored urn.
14. Jewelry
A tie for first place reveals two very
different aspects of jewelry and of design in general. Elizabeth Sheck does a lot with a little: with just two silhouetted planes of copper, one convex, the other
concave, she is able to incorporate portrait, landscape, atmospheric
perspective, figure-ground and story in a beautifully synthesized and crafted
pendant. Conversely, Rick Spriggs does a
lot with a lot: his kinetic “Bright
Eyes” brings together symbolism, caricature and mechanics in a playful and
transparent creature. Angie Colbrath
takes second place with “Home Sweet Home,” and Elizabeth Sheck reappears for
third with “Adeline’s Locket.”
15. Painting I
The still life studies of Painting One show
the importance of context in perceiving color, and they are a good reminder of
the fact that every square inch in a painting is valuable real estate. Jazmine Poblette takes first place with her
tightly cropped still life done in muted colors and chromatic greys; edges help to frame the central elements, and
warm plays off of cool to maintain a sense of motion throughout the piece. Marlena Speraneo takes second place with the
most primary palette of this trio. Her
prismatic colors jump forward, but not too much; the muted and tinted colors around them help
to pull them back into the painting. The
almost overbearing red at the top is cut into by the transparent blue bottle,
which helps keep the balance of power in check.
David Fisher’s third place still life “White Lady” is the most daring in
its use of shaded tones and earthy ochre colors to counteract the prismatic
colors of the still life.
16.
Painting II and Advanced Painting
First place goes to Terri Berg for her
“Self-Portrait with Microwave,” a rich composition of colored greys that
reveals the eerie and the supernatural in the everyday. Second goes to Taylor Clark-Son’s (sp?) “Night
Scene,” a depiction of a desolate landscape reminiscent of Edward Hopper. Third place goes to Janice Flagg’s “Through
the Looking Glass” with its strong contrast between a geometric, bejeweled
border and the fleshy, modeled figure within.
17.
Printmaking
The four prints described here share a story
line which is familiar but always interesting:
within a chaotic rumbling of
frantic and sometimes grotesque marks, a lone figure emerges into clarity
amidst its murky surroundings. Dylan
Kughn does this in blood red and black with his first place “Death Knell.” Second place is shared by Eric Zimmer
(“Anticipation”) and Emily Simmons (“Freaks”).
And Kimberly Duncan gets third place with her dragon that evolves from
stick figure to realized form as it sheds transparency and comes to life.
BEST OF SHOW
As hard as it was to choose from the many
excellent works in each category, it was even harder to determine the winners
in this last category. After much internal
debate, I came up with the following for the top three works:
First Place:
Michael Randman’s “Strange Destination,” a
color digital photograph that is contemporary while also having a timeless
quality to it, gets first place. With
very little information, and a lot of concealing, a scene is presented that has
beauty, mystery, and, just slightly, danger.
Second Place:
Angie Myers gets second in show with her very
spare pastel drawing of a male figure.
Her mastery of the medium gives just enough information to show flesh,
light, shade, shadow and background, while still revealing the texture and
color of the paper over large parts of the page.
Third Place:
Laura Lloyd, “Sticks and Stones.“ This genre-defying piece brings many materials
and ideas together, such as found objects, ceramics, pedagogy, poetry, childhood,
and story, yet it still remains a singular and integrated piece.
Drawing I:
1st: Amy Stadler, "Seven years of bad luck"
2nd: Aaron Ivie, "Frank"
3rd: Julie Han, "Fly Fish Salon"
Drawing II:
(tie)1st: Jon Slade, "Apples in a Bowl"
Aaron Ivie, "Still Life with Fruit and Such"
2nd: Marissa Pope
3rd: Tim Connors
Advanced Drawing:
1st: Angie Myers
2nd: Angie Myers
Figure Drawing:
1st: Janice Flagg
2nd: Aaron Ivie, "Kate"
Graphic Design:
1st: Demi George
2nd: Alfredo Carbajal
3rd: Vance Perkins, "The Adventures of Skunky Squirrel,"
Sculpture:
(tie)1st: Desiree Cabell
Ralph Rollins
2nd: Sonny Hartman, "You Play, You Pay,"
Black and White Photography:
1st: Vincent Dyer
2nd: Dalton Smith
Digital Photography:
1st: Michael Randman, "Strange Destination"
2nd: Connor Lockett, "As dead as the Enemy"
3rd: Heather Bradley, "Outside In"
Advanced Black and White Photography:
1st: Sonny Hartman
2nd: Elizabeth Sheck, "The One that Reminds them of Man Ray"
3rd: Alyson Wittich
Advanced Digital Photography:
1st: Rachel Mitchell
2nd: Kimberly Mae Wall, "Lost and Found"
(tie)3rd: Philip Cary, "Lock and Dam"
Josuha Evans, "Lucent"
Design I:
1st: Samuel Reynolds, "Sick Cities"
2nd: Amy Stadler, "Maps of Symmetry"
3rd: Cynthia Fyfe, "Zebra"
Illustration and Design II
1st: Janet Flagg, Bezold Effect
2nd: Thao Truong, "Camo"
3rd: Jon Slade
Ceramics:
1st: Laura Lloyd, "Sticks and Stones"
2nd: Sandy Chan
3rd: Eric Brooman
Jewelry:
(tie)1st: Elizabeth Sheck
Rick Spriggs, "Bright Eyes"
2nd: Angie Colbrath, "Home Sweet Home"
3rd: Elizabeth Sheck, "Adeline's Locket"
Painting:
1st: Jazmine Poblette
2nd: Marlena Speraneo
3rd: David Fisher, "White Lady"
Painting II and Advanced Painting:
1st: Terri Berg, "Self-Portrait with Microwave"
2nd: Taylor Clark-Jones, "Night Scene,"
3rd: Janice Flagg, "Through the Looking Glass"
Printmaking:
1st: Dylan Kughn, "Death Knell"
(tie)2nd: Eric Zimmer, "Anticipation"
Emily Simmons, "Freaks"
3rd: Kimberly Duncan
BEST OF SHOW:
1st: Michael Randman "Strange Destination"
2nd: Angie Myers, (male figure)
3rd: Laura Lloyd, "Sticks and Stones"
